“The Pythagoreans believed that everything which existed had a voice and that all creatures were eternally singing the praise of the Creator. …
“The Greek mysteries included in their doctrines a magnificent concept of the relationship existing between music and form. The elements of architecture, for example, were considered as comfortable to musical modes and notes, or as having a musical counterpart. Consequently when a building was erected to which a number of these elements were combined, the structure was then likened to a musical chord, which was harmonic. …
“In constructing their temples of initiation, the early priests frequently demonstrated their superior knowledge of the principles underlying the phenomena known as vibration. A considerable part of the mystery rituals consisted of invocations and intonements, for which purpose special sound chambers were constructed. A word whispered in one of these apartments was so intensified that the reverberations made the entire building sway.” ~Manly P.Hall
Divine Architecture of Music
The ancient Greeks were not the only ones who considered sound, music, and the divine proportions of it to be related to spiritual development. The Greeks got much of their spiritual teachings from the Egyptians. The Egyptians probably got much of their from even older civilizations such as the Babylonians and the people of Atlantis.
The same laws of divine proportion that were used in developing and composing music were used in architecture and other arts. Divine architecture is never based on the whims and concepts of any individual architect. While each building has individuality, the ancients knew that it was always best to use divine proportion. Thus ancient buildings were not just built for function and beauty, but to inspire spiritual growth as well. It just happens that when those laws are followed, you get a building that is beautiful, functional, and lasting. While it is true that most of the ancient Greek buildings now lie in ruins, they have held up far better than any of our modern buildings.
Symphony of Divine Architecture
A harmonious song that follows the divine laws can be played by a single instrument or a small band. It is much more challenging, I think, to compose and arrange such tunes to be played by a large orchestra. Not only must each musician and each instrument be played according to divine proportion, but the entire assembled orchestra must do so together.
The same is true for making s symphony of divine architecture. It is one thing to have a building or two made by the rules of divine proportion, it is much harder to do most of a city that way. I think the ancient Greeks may have succeeded in doing that in ancient Athens. Not just one or two, but nearly all major buildings in the city were built according to the laws of divine architecture. As a result, the entire city had a harmony to it. This harmony helped those who lived their develop their spiritual side. It explains why so many great philosophers came from there.
Divine Architecture in Nature
We couldn’t call these laws of Divine Architecture divine if they existed only in things made by man. The good news is that they are found in nature as well. What is often referred to as the Golden Ratio or the Fibonacci sequence is found often in nature. While it may not always be obvious, sometimes it is. We simply have to look at things a little more closely than usual.
The seed head of a sunflower is a good example. A quick glance may not reveal it, but a close look shows that the seeds form a Fibonacci spiral. Pine cones do the same. The shells of some creatures such as the Nautilus have a similar spiral design. And on a much larger scale, it can be found in spiral galaxies like our own Milky Way.
But it isn’t always spirals. In the human face, the distance between the eyes, nose, and mouth are according to divine proportion. The same is true of most animals. The sectioned body of insects has the same proportions.
It goes beyond the physical realm, also. Naturally, anything properly labeled “divine” is found even more in spiritual realms than in the fallen and distorted physical one. This includes the divine architecture of those dimensions. The music of the spheres found in them follows the golden ration. So do the shapes and proportions of the beings that dwell in them. So one way we help create heaven on earth is to build according to the laws of divine architecture. That would be a good first step in transforming all of Earth into a spiritual world as it was originally.